PCCR’s Fourth Batch of Online Certificate Course on Arts Appreciation Kicks Off September 15
The Pragjyotish Centre for Cultural Research (PCCR), a distinguished institution known for its commitment to the study and promotion of cultural heritage and artistic traditions, has announced the launch of its fourth batch of the Online Short-Term Certificate Course on ‘Arts Appreciation’.
Scheduled to begin on September 15, 2024, this course is ideal for students, art enthusiasts, and professionals seeking to deepen their understanding of various art forms. PCCR, renowned for its focus on the rich cultural traditions of India’s northeastern region, has expanded its reach with this course, offering participants a comprehensive exploration of global artistic expressions.
The course aims to provide a robust foundation in art appreciation, enabling participants to develop a keen eye for detail and a deeper understanding of artistic practices. As PCCR continues to foster a greater appreciation of the arts, this program stands out as a valuable opportunity for those looking to enhance their knowledge and skills in the field.
Applications are currently open, and interested individuals are encouraged to apply promptly due to high demand.
For more information about the course and PCCR, please visit their official website here.
For direct inquiries, contact: +91 70867 69350.
By PhotoMail Published on August 26, 2024
Share
Related News
The Historian’s Question: Where exactly is the ‘British’ Museum?
In an era of global connectivity and cultural awakening, the question of who truly owns our shared heritage has never been more pertinent. From the hallowed halls of the British Museum to the digital archives of the innovative Museum of Looted Antiquities, a revolution in cultural repatriation is quietly unfolding. This essay takes readers on a journey from a thought-provoking conversation with renowned Indian historian K.N. Panikkar to the cutting-edge efforts of online platforms documenting the return of stolen artifacts. As we explore the complex web of acquisition, smuggling, and repatriation, we uncover not just the stories of priceless objects, but also the evolving narrative of how we perceive and preserve our global cultural legacy. In a world where the lines between preservation and appropriation blur, this exploration challenges us to reconsider the role of museums and the true meaning of cultural stewardship in the 21st century.
PCCR’s Fourth Batch of Online Certificate Course on Arts Appreciation Kicks Off September 15
The Pragjyotish Centre for Cultural Research (PCCR), a distinguished institution known for its commitment to the study and promotion of cultural heritage and artistic traditions, has announced the launch of its fourth batch of the Online Short-Term Certificate Course on 'Arts Appreciation'.
New Fellowships Announced to Boost South Asian Textile Research and Education
The MAP Academy and Nalli Silks have announced new Fellowships to support projects focused on South Asian textile traditions. With grants of up to INR 5,50,000, these Fellowships aim to explore textile production, design, and cultural significance in the region. Applications are open for 2024–25, inviting proposals that will enhance research and education in South Asia's rich textile heritage.
AI Debate Takes a Full Circle
Artificial Intelligence continues to stir debates in art and technology. Recently, Bolivian photographer Miles Astray won a competition for AI-generated images with a photo he shot, fooling the judges with its surreal quality. This incident underscores the ongoing discussions about the ethical and philosophical implications of AI in creative fields, highlighting both its potential and its challenges. The debate around AI and human creativity has indeed come full circle, questioning the boundaries between machine and human artistry.
A new venue for art lovers: MAP, Bangalore is open for public
The newly opened Museum of Art & Photography (MAP) in Bengaluru welcomed its first visitors in Feb, offering a glimpse of around 60,000 works that would refresh the subcontinent's rich art history.
Plumbing the depths of space and time, James Webb Space Telescope
The James Webb Space Telescope has been designed to see the infrared part of the spectrum, making it capable of glimpsing “galaxies far far away”. This provides access to a part of the spectrum that no telescope has had till date, not even the iconic Hubble Telescope, which can see ultraviolet and visible light.
Snapshots from a forgotten land
Photojournalist Kanika Gupta takes a more personal approach on her page. The Indian journalist, who had to be evacuated from Afghanistan when the Taliban first took over, has since returned, and has resumed her efforts of documenting the country. On her Instagram handle, lifeoutside2by2, she fearlessly interviews and photographs Taliban soldiers, bringing out both the cruelty and humanity in their stories. A snapshot of a man who has been taught to believe that “making landmines is holier than fighting" is juxtaposed with one of two friends - one of whom used to be in the National Army and the other, a hardened Taliban, who joined when an American drone strike killed seven of his family members on a single day. Today, the two friends, who have both joined the regime, reminisce about having fought on different sides.
MAP’s Director’s Cut: Reimagining and Reinventing Museums
This episode (Wednesday, 9th March, 6:30 pm) of MAP’s series Director’s Cut features Nadine Wietlisbach, Director of Fotomuseum Winterthur in Switzerland.
The making of a nation, through Sunil Janah’s eyes
After Sunil Janah moved to the US in his later days, these prints were mostly forgotten. Rahman says it is by another coincidence that they landed in India as a collector managed to buy some of them. “The timing of the exhibition coincides with the 75th anniversary of Independence. At a time when the BJP is trying to demolish Nehru’s legacy and spreading the narrative of ‘Make In India’, Janah’s works assume significance as the ‘Make In India’ started in the 1950s. That is why it is so important that people see these pictures. We should not forget this history and the BJP is trying to make us forget it.” Apart from their historical significance, these are stunning images, says Rahman. “That was a time of great hope. Now, we have a different view about industries. We perceive industries as polluting, but at that time we needed all these factories because we needed indigenous manufacturing. Also, they provided jobs to lakhs of people, particularly in backward areas. There was a great positive energy which actually can be felt in Janah’s photographs.”
Celebrating Resistance, 152 years of Mahatma Gandhi
On Gandhi's 152nd anniversary, PhotoMail remembers him through these everlasting imageries. There are hundreds of photographs of Gandhi, often the author is unknown. Here is a collection of photographs by known Indian and International photographers.