On a bright Sunday morning, PhotoMail caught up with the chief documentary photographer on the Godavaya excavation, Susannah Snowden-Smith. What followed was an interesting revelation of the nuances of underwater photography. Living her dream of underwater photography, which she had started thinking about when she was 11 years old, Susannah reached out to a renowned archeologist as early as in her tenth grade. And in a matter of few years, she was on her first 120 feet underwater excavation assignment close to Sedana island Sadana Island in Red Sea, documenting an eighteenth-century ship wreck.
The world of art and culture is one of the hardest-hit sectors. The already limited support structure for artists and art/cultural organisations in India has dwindled further, pushing many to oblivion. The coronavirus outbreak and subsequent nationwide lockdown did affect almost all art practitioners, but then, the scale of impact was different for different sectors. Performance artists and photographers received the first line of bullets, with curtains down on live performances and mobility curtailed for photography assignments. Even within this, there were increased vulnerabilities because of one’s age (young, mid-career, and senior), location (rural or urban), networking possibilities, social and family support lines etc.