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	<title>Satish Sharma</title>
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	<description>Discover, Debate, Define, The Art of Photography</description>
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		<title>Power, Democracy and &#8216;Other&#8217; Women</title>
		<link>https://photomail.org/online/power-democracy-and-other-women-satish-sharma/</link>
					<comments>https://photomail.org/online/power-democracy-and-other-women-satish-sharma/#respond</comments>
		
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		<pubDate>Mon, 26 Mar 2018 04:45:34 +0000</pubDate>
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					<description><![CDATA[<p>Photography, after the Second World War and McCarthyism, was consciously pushed into the sanitised spaces of Art galleries and Museums away from its past as a concerned, conscience-pricking tool. We were told by institutional gatekeepers like the Museum of Modern Art in New York that Photography was only about Itself. It was an Art form that was about navel-gazing photographers and about flattened formalist fields. Photography was not supposed to exist outside its own frame.</p>
<p>The post <a href="https://photomail.org/online/power-democracy-and-other-women-satish-sharma/">Power, Democracy and &#8216;Other&#8217; Women</a> appeared first on <a href="https://photomail.org">Photo Mail</a>.</p>
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		<title>Perception and Photography</title>
		<link>https://photomail.org/online/perception-and-photography-by-satish-sharma/</link>
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		<dc:creator><![CDATA[PhotoMail]]></dc:creator>
		<pubDate>Sun, 27 Aug 2017 03:53:30 +0000</pubDate>
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					<description><![CDATA[<p>The realist discourse of photography believes that photographs capture the world as it is. As scientific, empirical knowledge. It is the Camera’s mechanical nature, which is supposed to give us the unchallenged, unassailable ‘reality’ of photography. It presents us with the image of photography as a mechanized form of perception. </p>
<p>The post <a href="https://photomail.org/online/perception-and-photography-by-satish-sharma/">Perception and Photography</a> appeared first on <a href="https://photomail.org">Photo Mail</a>.</p>
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