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	<title>R Nandakumar</title>
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	<description>Discover, Debate, Define, The Art of Photography</description>
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		<title>Paradigms of Perception: Between the Visual and the Optic</title>
		<link>https://photomail.org/online/paradigms-perception-visual-optic-r-nandakumar/</link>
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		<pubDate>Mon, 23 Jan 2017 22:06:45 +0000</pubDate>
				<guid isPermaLink="false">http://photomail.org/?post_type=avada_portfolio&#038;p=2193</guid>

					<description><![CDATA[<p>Even when a photograph looks unmediated, without human intervention in the realisation of its image and hence signifying authorial absence, the absence itself is a construction. It is a construction at the interface between factuality and artifice or between simulacrum and point of view; and it is not an empirically given precondition of perception. In many of Ramu’s images, as in the Calgary pictures, the rigorously composed optic array within the frame and the randomness which it suggests of the physical disarray outside the frame (both of which are bound by a causal symmetry) create a subtle dualism.</p>
<p>The post <a href="https://photomail.org/online/paradigms-perception-visual-optic-r-nandakumar/">Paradigms of Perception: Between the Visual and the Optic</a> appeared first on <a href="https://photomail.org">Photo Mail</a>.</p>
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