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	<title>Festival Review</title>
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	<description>Discover, Debate, Define, The Art of Photography</description>
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		<title>Indian Photo Festivals &#8211; Business As Usual &#124; Part 2</title>
		<link>https://photomail.org/online/indian-photo-festival-2018-a-critical-review-part-ii/</link>
					<comments>https://photomail.org/online/indian-photo-festival-2018-a-critical-review-part-ii/#respond</comments>
		
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		<pubDate>Mon, 08 Oct 2018 00:07:47 +0000</pubDate>
				<guid isPermaLink="false">http://photomail.org/?post_type=avada_portfolio&#038;p=5407</guid>

					<description><![CDATA[<p>The Indian Photography Festival 2018 certainly leaves one wondering about what is so Indian about it; if it is, as claimed, only a geographical marker, how does one account for the large regions that are left unrepresented? One has to hazard a guess as to what really constitutes this Indianness, and if the claims are kept aside and the images surveyed, we are confronted with the truth of this Indianness – it is a construction rooted in what can be called a “global culture”, and can shape shift into whatever is needed of it.</p>
<p>The post <a href="https://photomail.org/online/indian-photo-festival-2018-a-critical-review-part-ii/">Indian Photo Festivals &#8211; Business As Usual | Part 2</a> appeared first on <a href="https://photomail.org">Photo Mail</a>.</p>
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		<title>Indian Photo Festivals &#8211; Business As Usual &#124; Part 1</title>
		<link>https://photomail.org/online/indian-photography-festival-2018-a-critical-overview-1/</link>
					<comments>https://photomail.org/online/indian-photography-festival-2018-a-critical-overview-1/#respond</comments>
		
		<dc:creator><![CDATA[PhotoMail]]></dc:creator>
		<pubDate>Tue, 25 Sep 2018 07:22:11 +0000</pubDate>
				<guid isPermaLink="false">http://photomail.org/?post_type=avada_portfolio&#038;p=5360</guid>

					<description><![CDATA[<p>Not to be left behind, the ‘Indian’ part of IPF peddles the same narratives that were used by the colonial empire – that of a beautiful land worthy of investment, and that of a people still struggling with modernity – albeit this time the narration is partially to itself, specifically to the modernized urban class.</p>
<p>The post <a href="https://photomail.org/online/indian-photography-festival-2018-a-critical-overview-1/">Indian Photo Festivals &#8211; Business As Usual | Part 1</a> appeared first on <a href="https://photomail.org">Photo Mail</a>.</p>
]]></description>
		
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