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	<title>Bipin Balachandran</title>
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	<description>Discover, Debate, Define, The Art of Photography</description>
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		<title>Men of Pukar: Narrating the non-narrative</title>
		<link>https://photomail.org/online/men-of-pukar-narrating-the-non-narrative-by-bipin-balachandran/</link>
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		<pubDate>Tue, 26 Dec 2017 03:29:13 +0000</pubDate>
				<guid isPermaLink="false">http://photomail.org/?post_type=avada_portfolio&#038;p=4722</guid>

					<description><![CDATA[<p>Abul Kalam Azad's ‘Men of Pukar’ does not try to ‘re-narrate’ Ilango’s Kaveripattinam but Azad has his own heroes and heroines and more often he cuts his depth of focusing short in order to present them within the discursive premises where the incongruity between the history and present day condition of the place is felt. He neither tries to document the relics of the past glory (if there is anything at all) nor claims his images to be that of some ‘historical’ moments. Instead, he allows viewers to delve into the ‘image-space’ for some cultural codes which would help them to re-read the historical narratives in multiple ways.</p>
<p>The post <a href="https://photomail.org/online/men-of-pukar-narrating-the-non-narrative-by-bipin-balachandran/">Men of Pukar: Narrating the non-narrative</a> appeared first on <a href="https://photomail.org">Photo Mail</a>.</p>
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		<title>The World of Transient Signifiers</title>
		<link>https://photomail.org/online/the-world-of-transient-signifiers-bipin-balachandran/</link>
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		<dc:creator><![CDATA[PhotoMail]]></dc:creator>
		<pubDate>Thu, 28 Jul 2016 04:56:02 +0000</pubDate>
				<guid isPermaLink="false">http://photomail.org/?post_type=avada_portfolio&#038;p=1182</guid>

					<description><![CDATA[<p>Right from the invention of photography there has been a common understanding that it reflected the world as such or more exactly it was taken to be so intimately associated with the object depicted. The fin de siècle avant-gardism in art was, among a lot of other things, a reaction to this notion of the ‘photographed reality’. But at the same time one could also remonstrate against this by accentuating the ‘pictorialism vs. straight photography episode’ from the history of photography.</p>
<p>The post <a href="https://photomail.org/online/the-world-of-transient-signifiers-bipin-balachandran/">The World of Transient Signifiers</a> appeared first on <a href="https://photomail.org">Photo Mail</a>.</p>
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